• My Lynne Drexlers / Moss Gallery Exhibit, 2024
  • Camera Lucida / UNE Exhibit, 2023
  • Parallax, 2020-2022
  • The Mohawk River: Albany to Utica NY, 2019-20
  • New York City Pinhole, 2011-14
  • Projections, 2005-2008
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  • Domestic Objects, 1993-2000
    • Overview
    • Diaries
    • Tender Buttons
    • Dice Book
  • Circles, 2001-2002
  • Aegean Islands, 1997-98
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  • Menu

Rose Marasco

  • My Lynne Drexlers / Moss Gallery Exhibit, 2024
  • Camera Lucida / UNE Exhibit, 2023
  • Parallax, 2020-2022
  • The Mohawk River: Albany to Utica NY, 2019-20
  • New York City Pinhole, 2011-14
  • Projections, 2005-2008
  • Birds / Silhouettes / Blueprints
  • Montage / Experimental 1980's - now
  • Domestic Objects, 1993-2000
    • Overview
    • Diaries
    • Tender Buttons
    • Dice Book
  • Circles, 2001-2002
  • Aegean Islands, 1997-98
  • The Maine Grange, 1990-2001
  • MacDowell, 1985
  • Portland—Early Work 1979-80's
  • New York State —Early Work 1970's
  • News
  • About / CV
  • Reviews
  • Purchase Catalogues
  • Rose Marasco: At Home @ Osmos
  • Contact
  • Instagram (Window Series)

John Yau Hyperallergic Review →

September 07, 2024

A Photographer Who Deserves To Be Widely Known

Review of my solo show at the Portland Museum of Art published on 8/30/2015

Source: http://hyperallergic.com/232431/a-photographer-who-deserves-to-be-widely-known/
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